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Free Download Course in General Linguistics (Open Court Classics)

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Course in General Linguistics (Open Court Classics)

Free Download Course in General Linguistics (Open Court Classics)

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Product details

Series: Open Court Classics

Paperback: 236 pages

Publisher: Open Court; Reprint edition (December 30, 1998)

Language: English

ISBN-10: 0812690230

ISBN-13: 978-0812690231

Product Dimensions:

5.4 x 0.7 x 8 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#108,258 in Books (See Top 100 in Books)

Saussure is important as a linguist (although many of his theories have since been put out to pasture) ... but he is most important for his contributions to the theory of Structuralism (and, later, Poststructuralism). His idea that you could not study language as individual units, but rather had to examine it as a structure and study how the units interacted within the structure, was enormously influential in modern and postmodern philosophy.This book is not particularly difficult; it's a bit dry, but what can you expect from a linguistics class? If you read it carefully, you'll have no problem grasping what he is saying... and, when you are done, you will be well on your way to understanding what people like Lacan, Derrida and Foucault are trying to say. (You'll also be well along your way to understanding Claude Levi-Strauss, who attempted to do for anthropology what Saussure did for linguistics). If you want to understand modern philosophy, Saussure is as indispensible as Marx or Freud. Combine this with *Saussure for Beginners* and you'll pick up Saussure's train of thought in no time.

This is the book that started structuralism. Somewhat hard at times but well worth the 1st source read.

Thanks!

I purchased this off of Amazon for my husband for Christmas. He is doing a PHD in English and put this book on his wishlist becasue apparently it is a necessity.

This text marks the beginnings of modern linguistics, and is a must for any linguistic bookshelf. This text is, surprisingly, somewhat difficult to find in bookstores, so I was happy to find this affordable copy at Amazon. I recommend this book, along with Bloomfield's Language, to anyone interested in the structuralist foundations of contemporary linguistics.

Good book for any body that thinks

Hopefully, there will come a day when Amazon reviewers will learn that works universally considered classic or foundational (like Saussure's) do not require reviews of their content, as the irrelevance of the opinions of Hank the English major or Jane the accountant regarding those works restrict the potential use-value of their reviews to whatever inadvertent amusement they might provide readers searching for information with which to evaluate the various editions or translations.That said, do not be fooled into buying the cheaper 'Open Court Classics' edition of the 'Cours', in a translation by Roy Harris. For most purposes, the Columbia University Press edition, a 2011 revision of the classic Wade Baskin translation by Perry Meisel, is best. Unfortunately, that is also why it is more than double the price.An example: Compare p.67 of the Open Court Harris translation with p.67 of the Columbia Meisel edition: In the former, the sign is divided into 'signal' and 'signification', whereas in the latter, the sign is divided into 'signifier' and 'signified'.While one may debate the relative virtues of these terminologies, the latter is almost universally used and recognized, while I for one have never heard anyone utter the former. Certainly, anyone reading this work for the first time would benefit from encountering it in the same terms as their disciplinary peers.

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Ebook History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway Show, by Ross Rosenfeld

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History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway Show, by Ross Rosenfeld

Ebook History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway Show, by Ross Rosenfeld

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Product details

Paperback: 87 pages

Publisher: Independently published (February 4, 2019)

Language: English

ISBN-10: 1795785322

ISBN-13: 978-1795785327

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 6.6 ounces (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#998,668 in Books (See Top 100 in Books)

Ross Rosenfeld can be a witty, persuasive writer. His stated motivation in self-publishing this critical essay is to evaluate the historical accuracy of "Hamilton", the runaway smash-hit Broadway musical. Rosenfeld's wit is an important issue, because any work of political criticism should include flashes of humor or irony. Otherwise, the essay would run the risk of becoming mere pedantic lecturing, or dull whining. This slim volume is an effort at tackling the cultural behemoth of "Hamilton", but, on the whole, is too slim and cursory to pick up much traction in stopping that behemoth in its tracks.Rosenfeld tells us, in the introduction, that his biggest problem with the play, and his primary motivation for writing in the first place, is the use of "black actors playing white slave-owners". He describes this practice as "whitewashing history", and "both ludicrous and insulting to black Americans". This is a right-wing critique of Hamilton, but couched in left-wing vocabulary. Of course, the cast of "Hamilton" was famously intended to be a primarily minority (as opposed to "black") cast; the original and current Broadway casts include multi-racial actors of Hispanic, Asian, and Jewish descent. That's because Lin-Manuel Miranda intended the play to be the story of America then as told by America now. Rosenfeld's version of America now is evidently not as representational, or as aspirational, as Miranda's version. I'd much rather live in a world where Daveed Diggs, who, like me, is Jewish, can play President Jefferson, than in a world where you complain about that sort of casting.The author also spends much time on the cursing in the play; again, this is an easily dispelled argument, as many of the songs are framed in the hip-hop vernacular, which does employ cursing. Again, America now, not America then. In John Adams' day, the worst thing you could call someone was a "Scotsman", but, fortunately, American society has evolved well beyond this.Although Rosenfeld states that the multi-racial casting was "all I set out to write about" at first, the book scope quickly broadens to critique the historical accuracy of the play. In a larger sense, this is an unnecessary task, because somebody else already did this for him: Lin-Manuel Miranda. Miranda himself freely and openly describes what he's changed from the original history, both in his prolific annotations on Genius, and in the footnotes to the Broadway show's companion volume. Incidentally, some of Rosenfeld's complaints about accuracy have to do with the use of the words "bursar" and "Mercer" in the play, but, again, Miranda has announced elsewhere that these words were included because they rhyme with "Burr, sir", rather than with an eye to strict historical accuracy.Other complaints are Rosenfeld trying to have it both ways; he first complains when Miranda doesn't identify James Madison as an author of the Constitution (I'll assist him by pointing out that the play also excludes Gouverneur Morris)... and then carps on the line where Madison claims authorship of the Bill of Rights. Many of the complaints in the essay are, frankly, addressed by other lines from the same play. Rosenfeld's complaint that Washington was more like Cincinnatus than the play admits, are already covered by "One Last Time", Still other complaints have to do with dramaturgical choices, such as condensing characters and time-frames, but this would appear to be more a critique of the theatrical form in general, as opposed to deciding that Miranda was stabbing history in the back.Many other complaints have to do with "People didn't use those words back then", or pointing out that the phrase "sell X down the river" originated 50 years after the play is set. It's interesting that he enjoyed the song "Helpless", but didn't assail the casting of Philippa Soo, who originated the role of Eliza, on the grounds that America didn't have half-Asian people in 1780.Rosenfeld can be witty at times, and he does raise some good points about the play not giving Aaron Burr enough of the benefit of the doubt for being liberal and progressive. On the whole, though, Rosenfeld's essay mostly misses its mark.However, what I am looking forward to is Rosenfeld's follow-up volume, attacking the historical inaccuracy of the Broadway musical "Fiorello!". I mean, casting Tom Bosley as a half-Italian New Yorker? That should be a passionate rebuttal, indeed.

A detailed piece that reminds the audience to always remember that Broadway, like Hollywood, is prone to take “artistic license” when presenting real history in dramatic fashion. While the triumph of the play is exposing Hamilton’s exploits to a wider audience ... this book is a great accompaniment for anyone who cares to know what ACTUALLY went down “in the room where it happened.”

History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway ShowYou have to know the songs well for this to be meaningful. Moreover, inevitably fiction has its own rules. However, this is somewhat interesting to a person interested more in the accuracy of the history.

While it was very well written, I have to agree that he doesn't not know the show well enough.Also he forgets the words artistic license Lin-Manuel Miranda himself said that he took liberties with the story. All in all in glad I didn't pay for this book.

Rather than accept that the story brought history alive to hundreds of thousands of people, it zeroed in on minor details .

A very interesting take , really enjoyed this one and highly recommend it.

Hamilton, the musical, garnered eleven Tony awards in 2016 for the acting, story, choreography, book, orchestration, lighting, and best musical. It consistently has sold-out houses on Broadway and throughout the country.. As the subtitle, A Critical Analysis of the Lin-Manuel-Muranda and Ron Chernow Broadway Show, states, HAMILTON AND HISTORY is a historical/critical analysis show providing a critique of the play as well as a song by song analysis. It is not a review of the play itself as seen by most audience members. Hamilton brought with it an interest in the history of the founding of the United States, especially regarding our first Secretary of the Treasury. As Rosenfeld explains, his critique is primarily fact-checking. He finds much of the material is actually fictional and uses words and expressions that began more than a century later or had changed meanings over time. His first complaint is the use of all black actors portraying white slave owners. He believes that diminishes the horror of slavery. It "undermines the irony of the fact that, at the start of our nation, we had white slave owners preaching about freedom from tyranny." He also takes issue with the way the historical figures insult each other, curse, and brag. That type of behavior was not used in colonial times. Alexander Hamilton is portrayed as an inspiring immigrant. Hamilton, born in the British West Indies, was considered white. He saw himself as British, as did most of the white colonists living here as well. It ignores the fact that Hamilton supported the Alien and Sedition Acts, the most anti-immigration law of its time. Hamilton was not egalitarian. He preferred the leaders be members of the elite classes. The main part of the book is a sequential analysis of each song. The opening song, “Alexander Hamilton,” implies that Hamilton and Aaron Burr were great friends and Burr was said that he shot him. Neither is true. Saying that Hamilton "got a lot farther by working a lot harder/by being a lot smarter/by being a self-starter" is misleading. He was also lucky by being in the right place at the right time with the right people. Today, the lines resonate with the idea that if you are not successful, it is because you are not working hard enough. As many people know, people can work very hard, be very smart, and still not make it. On the other hand, people can be very wealthy because they inherited their wealth. “Considering our current lack of upward mobility, I find it both inaccurate and insensitive to imply that Hamilton's drive and ability were all he really needed to succeed." The play applies today's standards and ideas to those in Hamilton's day. The self-esteem concept did not exist at that time. Hamilton was very self-confident and would never have said, “You have to believe in yourself.” The next song, “Aaron Burr,” says that Hamilton held Burr in reverence. Since they were about the same age, Rosenfeld believes that this is probably fictional. Hamilton would not have cursed, not even his inner thoughts. “My Shot,” doesn’t show that Lafayette came to this country seeking adventure and escaping his wife and father-in-law, not fleeing the monarchy. Later he would defend the Royals against the hordes, even going so far as to order soldiers to fire into a crowd killing about 50 people. At this point in his life, Hamilton was more concerned about military glory than about the finances of the nation. The words “blow us all away” was not a common expression in colonial times. Wall Street was not a financial sector. There is no proof that Jefferson “got high” in today’s drug-related meaning. The hemp he grew on his plantation was used to make rope, not to smoke or swallow. None of the people mentioned in the reprise of “Tonight” were actually at Hamilton’s wedding. His relationship with his sister-in-law is likely fiction. Hamilton was not always the righteous one and Burr was not totally evil.. Rosenfeld also points out errors in time lines and suggests it was done to give false effect. For example, Jefferson referring back to the Bill of Rights was unlikely: “Why would they look back at something that it just been passed?” Rosenfeld has positive things to say about several of the songs. For example, he's not sure if King George means at some points in “You'll Be Back” but thinks the song is humorous, well constructed, and enjoyable. “Helpless” is not a bad song in his opinion. It is “musically sound, harmonic, and has strong vocals.” Rosenfeld resents the inaccuracies because the play has been accepted as historically true especially because of Miranda’s inclusion of Ron Chernow, a Pulitzer Prize winning historian, as a consultant. Hamilton can be appreciated for its originality and arousing an interest in the history of the United States, especially for those who had not been interested in learning about the subject or the times. However, it is historical fiction and it would unwise to rely on the musical as the basis of a history course.

Very well written and very interesting! Besides getting a good glimpse into the disparity of Alexander Hamilton's life and what is presented in the musical, it raises some important questios. How much are we willing to sacrifice the truth for entertainment, and is there a negative effect when we do so?

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History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway Show, by Ross Rosenfeld PDF

History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway Show, by Ross Rosenfeld PDF

History and Hamilton: Is Lin-Manuel Miranda and Ron Chernow's Hamilton Accurate? A Song by Song Analysis of the History Portrayed in the Broadway Show, by Ross Rosenfeld PDF

PDF Ebook 500 Pendants & Lockets: Contemporary Interpretations of Classic Adornments (500 Series)

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500 Pendants & Lockets: Contemporary Interpretations of Classic Adornments (500 Series)

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Review

"You'll be in absolute awe with over 400 pages of one-of-a-kind pieces from over 300 artists. This extensive volume contains enough inspiration to last a lifetime. You'll love 500 Pendants & Lockets." - Bead Unique

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Product details

Series: 500 Series

Paperback: 420 pages

Publisher: Lark Books (May 6, 2008)

Language: English

ISBN-10: 1600590381

ISBN-13: 978-1600590382

Product Dimensions:

8.2 x 1 x 8.5 inches

Shipping Weight: 2.5 pounds

Average Customer Review:

4.2 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#632,338 in Books (See Top 100 in Books)

Amazing art. Love the book!

I am not usually the type of person that would buy a book to look at all the pictures. I am a techie and my art is computer motherboards. I thought this book was going to have more information on the jewelry. I have never had a Lark book so didn't know the reference. I have to say that this book is beautiful and I really like it. I just keep looking through it and never seem to get tired of trying to figure out what the artist must have been thinking to create the pieces in the book. Although it wasn't what I needed, it is a keeper.

Bought one for myself and loved the variety of pendants and necklaces. Bought another as a Christmas gift. She loved it

I bought this book for my grandmother, who is a jewelry-smith now that she is retired. I also do some metalsmithing, although nothing like her. We both loved this book! It was beautiful and interesting and had lots of neat and inspirational ideas. My grandmother in particular liked that all the materials were listed for every item. She did complain, however, that fewer pieces than expected were traditional metalwork. Personally I thought the use of so many new materials to be quite interesting. The biggest drawback I found was that all of the pieces were very modern or contemporary in style, which, given the title, is to be expected.Overall, a great idea book, with beautiful pictures and useful descriptions.

Inspiring images

This book is consistant with Lark's other offerings, namely, a book of fairly well done photographs of some category of object. However, if you're unfamiliar with their work, be warned that about one third of the stuff shown falls into the category of experimental student projects and conceptual art. For example, a pendant made from an ice cube.. I have most of the series, and as a jeweler/designer, use them for reference and inspiration.

Great book. excellent for reference and for seeing how other's have challenged the boundary's of jewelry making. Arrived record speed, great condition.

These books are great inspiration for jewellery designers, the series covers a lot of different techniques and materials. Hope to collect all.

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Download , by Jay Asher Christian Frobenius

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Product details

File Size: 2540 KB

Print Length: 13 pages

Publisher: Razorbill; Reprint edition (June 14, 2011)

Publication Date: June 14, 2011

Sold by: Penguin Group (USA) LLC

Language: English

ASIN: B0054R6BFM

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Amazon Best Sellers Rank:

#23,607 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

One of the saddest things in life is when a child is pushed to feel there is no other way to go on than suicide.Bullying in our schools is increasing now with the use of social media to harass, threaten and humiliate.It is tragic to know that what is found inside this well written book and TV series is a reality.I believe that everyone has a right to be heard and that taboo subjects such as suicide, rape and others that some don't wish to speak about need to be put out there or else as a society we will remain blind to what actually does happen around us.To the writer of this book, thank you for making this tragic subject come to life with a girl that can be absolutely related to and her pain can be felt in her words.I'd recommend this book to others and have myself found it to be haunting, as the words have stayed with me. I was bullied in school and this book, is something I can relate to.

This was a reread for me and I'm so glad I dived back in it. I first fell in love with this story in high school. For the longest time it was the only representation I had for mental illness, I connected with a dead girl because she had so many emotions I also shared sometimes to my own fright. Hannah's story is tragic and heartbreaking. The ending always shook me because she wasn't coming back, you had such a strong narrator for these tragedies but she wasn't going to get up and say ha! It's all a joke. She was gone, and that is one of the reasons I always came back to this book. I needed to know she was gone, that is the outcome of suicide that I didn't want to see at 17, your story is finished. Now as an adult reading it, it's still heartbreaking and terribly tragic and I still connect so strongly to this story. I loved this book and will always love this book. I read more into it now than what I did then. Clay was the perfect perspective to put it in because I can't think good things about any of the other characters, as hard as the tv show wants you too. The tv show has recently released on Netflix and they've changed so much from the original book and part of me wonders is if it's to make it make more sense. The thing is, suicide doesn't make sense. That tragic act doesn't have to make sense. It's sad and scary, and we will ever understand even with 13 separate and valid reasons, it still doesn't make sense. One this book did such a good job of showing is how small things, things we think inconsequential, can be detrimental to someone else. Something as simple as not saying goodbye given the opportunity, can change how someone feels. Now does this mean we have to walk on egg shells? No, that actually impossible. It means watch what your doing basically. If your having a bad day it isn't okay to take it out on someone else, we can control the small things so the big things won't spiral. This book will always hold a special place in my heart, and I'm sure once the shock of the show wears off it will too. I needed to reread this book, it's good to remember what we do and who we are matters. Even when you think you don't matter and no one would care, you do matter. You matter so much! ❤️

I don't know what I can say about this book that hasn't already been said. I read it after watching the Netflix series, and while there are definitely differences between the two, the combination left me reeling. It is deeply moving, poignant, and yet one of the most hopeful books I've ever read.The story revolves around Clay, who finds a box of cassette tapes waiting on his doorstep one day. As he listens to them, he is drawn into the story of Hannah, his crush that committed suicide just a couple weeks earlier. The tapes share the thirteen reasons why she made the choice that she did, one for each person that contributed to that decision.On the surface, it sounds like a horrifying premise for a read. It is a tough read at times, but no less important. Her point of creating the tapes, to be passed to each person on them, was not to be cruel. It was to make a point... the point that how we act toward one another, whether deliberate or not, makes a difference. Any one of those acts can be small in and of itself, but they can add up to push a person over the edge.Having seen the series and read the book, I have to say something I never thought I would. As much as I loved the book, I felt that the series really showed Hannah's angst just a bit more clearly. Admittedly, some of that was accomplished through changes in the plot and some details. Ideally, I would suggest indulging in both.

I'm not sure if this should be a teen book or not. I don't want to put ideas into young minds or glorify suicide in any way, considering my brother chose this route at 30 years old. He was my very best friend and it continues to devastate me every day 15 years later. Suicide is a permanent solution to a temporary problem.On the other hand, we do need to open this discussion to teens, but I just don't feel that the impact of this young girls suicide was portrayed as the immensely life ruining action for her friends and family that it should have been. Again, I'm just not sure this is the right book to impact the topic to teens as the devastating event that it is for all concerned. That being said, as a 43 year old adult who looks back on the days of high school and rumors and their impact on young people, I found the book to be representative of that deep hurt and troubling period for so many young people. This is a good read and a very page-turning, gotta know more, type of book. I would normally say "I enjoyed this book" but given the subject matter, I can't say I "enjoyed" it but I was drawn in deeply to the characters and the story and read it in one day (if you don't count reading half one day and half the next - it was really just one day of reading.) I thought the characters were well created, the book kept a great building pace, and the subject matter was impactful. FOR ADULTS (or well grounded, mature, and rooted teens) this was a very good read.

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