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So, Anyway..., by John Cleese
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Review
New York Times Bestseller“So, Anyway... ambles along in loose fashion, taking its time, stopping to admire the view here and there, dispensing a little social commentary...and otherwise taking the scenic route through a mostly sunny landscape. The effect is a bit like having a long lunch with an amiable, slightly loony uncle. Who also happens to be John Cleese.” —Michael Ian Black, The New York Times Book Review“John Cleese’s memoir is just about everything one would expect of its author — smart, thoughtful, provocative and above all funny… a picture, if you will, of the artist as a young man.” —Washington Post “Give John Cleese points for candor...Give him additional points for graceful writing and sly humor..” —Philadelphia Inquirer“The long-awaited story of the actor’s life, told how he wants to tell it.” —The GuardianFrom the Hardcover edition.
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About the Author
JOHN CLEESE cofounded the legendary Monty Python comedy troupe, writing and performing in the first three TV seasons of Flying Circus and in films that include Monty Python and the Holy Grail and Life of Brian. He cowrote and starred in the sitcom Fawlty Towers, and wrote and costarred in A Fish Called Wanda and Fierce Creatures. He has also coauthored two best-selling books on Psychology.From the Hardcover edition.
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Product details
Paperback: 392 pages
Publisher: Three Rivers Press; Reprint edition (2014)
Language: English
ISBN-10: 0385348266
ISBN-13: 978-0385348263
Product Dimensions:
5.2 x 1.1 x 7.9 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
565 customer reviews
Amazon Best Sellers Rank:
#45,982 in Books (See Top 100 in Books)
So what do we have here? Essentially, a fascinating but quite partial autobiography. The decision of Cleese/Chapman to join forces with Jones/Palin/Idle/Gilliam comes at p.356 (of 375) and many of the remaining pages concern the 2014 reunion shows at the 02. Put another way, John Cleese’s new book focuses on the first 30 years of his 75-to-date year life, one of its key points being that there is an extremely rich and interesting writing life that preceded his work with the Pythons. The foci of that life are his work with Graham Chapman and his work for David Frost and Peter Sellers.The book is much more than a writing life, however. Cleese writes at length of his schooling, of his brief career as a teacher and of his plans to become a lawyer. He reveals a great deal about his parents and his own teachers and talks about life in small-village Somerset (Weston-super-Mare, Burnham-on-Sea). His memory is stupendous. He can recite all of the classes, the quirks, the nicknames and the academic pedigrees of his instructors and in doing so he offers a very special look at the nature of public school education in early-mid twentieth century Britain.By the same token, his detailed descriptions of the writing life in Britain and America—the salaries, deadlines, shooting schedules, and so on—offer an in-depth look at popular culture at the BBC, in the West End and on and off Broadway during this period. Cleese’s stories are engaging, honest, informative and self-deprecating. At the same time they include long reflections on the nature of comedy and comedic writing.While Cleese has not hesitated to discuss his marriages (particularly his financial fleecing after his third), there is very, very little here concerning that aspect of his personal life. We hear about his trans-Atlantic courtship of Connie Booth and their eventual marriage but nothing about the end of that marriage or the succeeding three (and the book is very much ‘up to date’, having been published in November, 2014, but including detailed comments on the reunion shows that July).The overall result is a fascinating account of John Cleese’s first thirty years, with densely-detailed accounts of the texture of his life as a gawky but gifted student and as a writer succeeding in the London trenches. We learn much more, e.g., of his love of sports (and his participation in school teams) than we do of Fawlty Towers or A Fish Called Wanda. Since he is an interesting person as well as a highly-skilled writer, the book is an enjoyable and informative read. I look forward to an account of the rest of his experience.
This is not a celebrity book and it is not a funny book primarily. Rather, in my view, this is an account of how an extraordinary artistic talent is forged in an "ordinary" human being as we all start. What works particularly for this book is that, especially if you're a Python fan, you know the person very well from the outside, so when you hear what happened on the inside, and how slowly and painfully that talent has developed, it makes it that much easier to understand and appreciate the process. And you would care for that, I think, if you care about psychology, art, and if you are working to develop artistic talent yourself, regardless of whether it is related to comedy (Cleese's art in question) or not. There is some very good advice to be heard in this book.There is bitterness in it too, as if there is a grumpy old man sharing the same skull with the genius who delighted so many people around the world, and the grumpy man is wondering why he can't experience some of that delight for himself. That man seems to be searching for meaning, something I hope John will find eventually. Though I suspect had he found it earlier in life, he'd have been a happier man and we wouldn't have as much of his hilarious work to enjoy.But there is also good fun peppered throughout the book -- a few stories you'll remember which I think were alone worth the price and the time. In the end, I was sorry the book ended, but given that John basically just covered the first half of his life, there's hope that one day we'll get part II.
I am a huge fan both of Monty Python and John Cleese in particular, so I really looked forward to reading this book. In one sense, it didn't disappoint: his anecdotes on how he got started in comedy (in particular the inclusion of some of his early sketches that are hilarious) and how Monty Python got going were definitely worth the read. On the downside, Mr. Cleese cannot seem to moderate his considerable ego, and for me it grated after a while. An example of this early on in the book is when he describes his off-the-cuff theory on childhood experiences that (he believes) intelligent people have: specifically, a somewhat nomadic childhood of living in many different places, and having conflict in the household. These are two experiences that Mr. Cleese himself had, and the implication is that he is very intelligent. To cap off the dubious logic (these are my experiences, intelligent people have these experiences in common, and thus I am intelligent), he follows with a gratuitous comment on how it is unlikely that faculty members at universities in Iowa have had these experiences. First off it is unclear if he did a poll of Iowa university professors to support his claim, second of all, the noxious implication is that the faculty members in Iowa as a group are not intelligent or at least not as much so as he. I understand that celebrities do not often come with undersized egos, but Mr. Cleese's is truly majestic. If this had been one of a limited set of examples I would have ignored it and this book would have rated at least four stars. But the book is chock full of them, and it after a while it was difficult for me to get through them without gagging.In summary, the content relating to Mr. Cleese's experiences as a developing comedian is great; is gratuitous boasts and insults much less so.
I listened to this (mostly in my car) and am so glad I did. It was a privilege to have Mr Cleese himself narrate which made the stories and insights even more significant. I thoroughly enjoyed it and found myself laughing out loud at times as I was driving to and from work. Other drivers having stopped at the traffic lights must have wondered why I thought the red light was so hilarious. This a must read/listen if you are a Monty Python fan.
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